"I woke up before Pauline and put on my overalls. A crack of gray sun shone through the window and lay quietly on the floor. I went over and put my foot in it, and then my foot was gray.
I looked out the window and across the fields and piney woods and the town and the Forgotten Works. Everything was touched with gray: Cattle grazing in the fields and the roofs of the shacks and the big Piles in the Forgotten Works all looked like dust. The air itself was gray.
We have an interesting thing with the sun here. It shines a different color every day. No one knows why this is, not even Charley. We grow the watermelons in different colors the best we can.
This is how we do it: Seeds gathered from a gray watermelon picked on a gray day and then planted on a gray day will make more gray watermelons.
It is really very simple. The colors of the days and the watermelons go like this--
Monday: red watermelons.
Tuesday: golden watermelons.
Wednesday: gray watermelons.
Thursday: black, soundless watermelons.
Friday: white watermelons.
Saturday: blue watermelons.
Sunday: brown watermelons.
Today would be a day of gray watermelons. I like best tomorrow: the black, soundless watermelon days. When you cut them they make no noise, and taste very sweet.
They are very good for making things that have no sound. I remember there was a man who used to make clocks from the black, soundless watermelons and his clocks were silent.
The man made six or seven of these clocks and then he died.
There is one of the clocks hanging over his grave. It is hanging from the branches of an apple tree and sways in the winds that go up and down the river. It of course does not keep time any more."
-- richard brautigan, "in watermelon sugar."
released June 11, 2015
cover art by the most lovely, even more talented emily wise.
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